Passado de Glória

Lyrics from “Passado de Glória” by Monarco (1970)


Portela, eu às vezes meditando // Portela, sometimes as I reflect
Quase acabo até chorando // I end up almost crying
E nem posso me lembrar // And I can’t even think about it
Teus livros têm tantas páginas belas // Your books have so many beautiful pages
Se for falar da Portela, hoje não vou terminar // If I start to talk about Portela, I won’t finish today
A Mangueira de Cartola, velhos tempos de apogeu // Mangueira of Cartola, old days of glory
O Estácio de Ismael, dizendo que o samba era seu // Estácio of Ismael, declaring samba was his
Em Oswaldo Cruz, bem perto de Madureira // In Oswaldo Cruz, right near Madureira
Todos só falavam Paulo Benjamin de Oliveira // Everyone just talked about Paulo Benjamin de Oliveira
Paulo e Claudionor quando chegavam // Paulo and Claudionor when they got to
Na roda do samba abafavam // the roda de samba, they tore it up
Todos corriam pra ver // Everyone ran to see
Pra ver, se não me falha a memória // To see if my memory doesn’t fail me
No livro da nossa história tem conquistas a valer // In our history book there are true, meaningful victories
Juro que nem posso me lembrar // I swear I can’t even think about it
Se for falar da Portela, hoje não vou terminar // If I start to talk about Portela, I won’t finish today

— Commentary —

Portela's Velha Guarda in 1970, with Paulinho da Viola standing on far left and Monarco at center with a cavaquinho.

Portela’s Velha Guarda in 1970, with Paulinho da Viola standing on far left and Monarco at center with a cavaquinho.

As I mentioned in this post on Paulo da Portela, the history of the founding of Portela Samba School in the 1920s is murky and unlikely to be cleared up.  Historians and old-time members of the school don’t even agree on the year, much less the day, that the school was founded. But the school has adopted April 11, 1923, as its official founding date, and today is celebrating 92 years.

This song by Monarco — who arrived at the school as a composer in 1946 at the tender age of 14 — evokes the portelense tradition of adopting a scholar-ish tone in sambas, referring to books, professors and “tests,” like in Paulo da Portela’s samba for Carnaval 1939, “Teste ao Samba.” The song refers to Ismael Silva’s affirmation that he and his crew at Estácio Samba School, at the time called Deixa Falar, had come up with the name “samba school” along with the samba rhythm that was adopted by all of Rio’s samba schools — which Silva famously defined as “bum-bum-paticumbum-prugurundum.” Silva’s story about the name “samba school” is widely refuted, but not the rhythmical innovations of Estácio. (“Bum-bum-paticumbum-prugurundum”also became the name of Império Serrano’s fantastic 1982 samba-enredo.)

Claudionor, together with Paulo, Caetano, and Rufino (again, see this post), was one of the founding members of Portela, having formed part of the predecessor bloco “Baianinhas de Oswaldo Cruz.”

In 1970, Paulinho da Viola brought together Portela’s oldest members – the “velha guarda,” or old guard — to record the LP Portela Passado de Glória. The album, which Paulinho produced, recorded many old, yet unreleased sambas by some of the school’s founders and earliest composers, and officially launched the Velha Guarda da Portela as a group in itself.  The album includes the first recording of “Passado de Glória.”


About lyricalbrazil

My name is Victoria Broadus and in early 2012 I moved from Brooklyn, New York, to Brazil - first São Paulo, and now Rio de Janeiro. I began studying Portuguese while working toward a Master's degree in Latin American Studies at Georgetown University, and have since become fluent. I love Brazilian music and want to be able to share it with more people, so I'm working on translating songs to English and providing some contextual interpretation and stories about the songs and the musicians.
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